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pages cm Includes bibliographical references and index. Padstow Cornwall A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge history of world music / edited by Philip V. First published 2013 Printed in the United Kingdom by TJ International Ltd. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. Information on this title: © Cambridge University Press 2013 This publication is in copyright. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. University Printing House, Cambridge CB2 8BS, United Kingdom Published in the United States of America by Cambridge University Press, New York Cambridge University Press is part of the University of Cambridge. He is currently completing the volume Ethnomusicology for the Cambridge Introductions to Music series. Among his honors are the Edward Dent Medal, the Berlin Prize, the Derek Allen Prize from the British Academy, and the Noah Greenberg Award from the American Musicological Society.

A pianist, he is the Artistic Director of the New Budapest Orpheum Society, a Jewish cabaret and ensemble-in-residence at the University of Chicago. Is the Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago, and Honorary Professor at the Hochschule für Musik, Theater und Medien Hannover. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular, and classical music of our own era. The contributors critically examine music in cultural encounter and conﬂict, and as the critical core of scientiﬁc theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Historically, world music emerged from ritual and religion, labor and life cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal.

The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. WORLD MUSIC Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages, and nations throughout world history.

Mit 66 jahren instrumental download kostenlos musik